Planet City

I’ve been dipping into the Fiber Reassemble Festival talks whenever I have had the chance. I’ve not always been able to attend as my working schedule and the schedule for the talks don’t always coincide, but I’ve been able to attend a few and the ones I’ve attended have given me lots of food for thought even as I think about the way I approach my own work.

Yesterday, Liam Young was one of the speakers and he shared with us this magnificent and inspiring project called Planet City. My mind was really and truly blown and I found myself chasing down the anthology/book that bears name of the Planet City project. I am looking forward to reading it.

The Planet City film is magnificent. I’m linking to an article about the project as the article includes a lot of the things Liam Young shared with the Fiber audience last night.

I thought of the approach to a project with this scope and how it requires collaboration between artists, makers, thinkers, scientists, all kind of people from different disciplines and how all of that collaboration manifests in a project that is visually enchanting as well as challenging and compelling in its narrative.

There’s a line from Liam’s talk that stays with me as it’s something I have been thinking about a lot lately. Liam talked about ‘Dismantling what we once knew to recast it in a new vision’. I’m thinking of this as I continue to work through the details of my next project.

Jeremy Kamal was the second speaker last night. I was lucky enough to attend his first talk during the FIBER festival when he shared MOJO with us. I was quite blown away by that work and so when the invite came for this talk, I was happy that I could attend once more.

One of the things Jeremy shared with us was the process he goes through when he works on a new project. I think of how we often forget about process and the journey an artist takes in order to present the recipient with a particular work.

I think process is important because many times we don’t know what we are moving towards, but we feel this compelling force pushing us towards something. What we discover as move towards that something becomes part of our vision or opens up our vision so we realise and recognise what we are moving toward.

I am learning all of these things and reminding myself to be patient even as I continue working on my strange novel. It’s evolved quite a bit, but I find myself returning to the work that still needs to be done with this feeling of anticipation. How will all these new learnings affect my own work? How is the process of creating new work changing me and the way I look at the world? What can I bring to the work that will make it richer and more rewarding not just for me but for the recipient? Most importantly, I want to bring that sense of wonder and anticipation into the work. These are the things I think about as I prepare to write.

To you who are engaged in the act of creation, may you be accompanied by joy as you continue on your journey.

second update of the day

Two updates in a day! Isn’t that something after months of not updating at all.

If I had to share everything that’s happened in the past year, I would be updating on the hour. But this update is about a one-hour workshop that I’ll be doing for FIBER. As I understand there are still spots available and when you sign-up or apply, you’re not just applying for a day workshop, but for a series of multidisciplinary workshops. If that tickles your curiosity, do go and check out the link.

I’ll be doing Day #1 workshop on worldbuilding and I’m still working on how to fit as much as I possibly can into that one hour slot. I went and read Alice Bucknell’s essay Ecological World-Building:From Science Fiction to Virtual Reality and then I asked Rhian Morris if I could attend Alice’s lecture (I can. Yay!). I have the date blocked on my calendar and am looking forward to it.

Anyway, talking about worldbuilding, I had to share a project I’ve been doing with a handful of young people (14-21 years old) and how working with these youngsters has inspired me and helped me refine and adjust my approach towards teaching/sharing worldbuilding tools. Each workshop I’ve given has also taught me a lessons on how to refine my approach so that it fits better with the people I’m working with.

With Envisioning Other Futures, I had a balance of Dutch-speaking and English-speaking students. My discord youngsters are bilingual who choose to write in English, and I’ve had one day workshops with writers whose only common language is English. Each group teaches me how to adapt and adjust so that the approach will be most useful to those attending.

Regardless of what discipline or background people come from, I think it’s important to find that sweet spot where participants let go of the rigidity of expectation and embrace their playful self. I think we’re best able to create when we allow ourselves to play in the worlds that we create. It’s also then, in that sense of joy that comes from creating together that we find surprising solutions to what might seem like insurmountable problems.

**I am also sharing a link to Rhian Morris’ site as I found myself quite fascinated by her immersive work. Do check it out and be inspired.