The urgency of the Moment

I had been discussing increasing the impact of Moving Love film project with ImpactMakers producer and director, Vera Born, and during this discussion, I pitched creating a number of workshop sessions based on visionary world-building principles. Making use of these principles, I proposed a quartet of sessions, first focusing on what the community of LGBTQ+ asylumseekers wants and needs, then moving outwards to gathering insight into what the larger Dutch public thinks, before going on to inviting policymakers, lobbyists and lawmakers. The final session, which is yet to happen hopes to gather all these threads together and incorporate them into a reader which the producer (ImpactMakers) wants to make.

The issue of safety for LGBTQ+ asylum seekers and for vulnerable groups in the asylum seekers centra is one that’s also highlighted in the news. Sandro Kortekaas of LGBT Asylum Support has also been tireless in highlighting the urgency of attending to the safety of LGBTQ+ asylum seekers. In March, LGBT Asylum Support sent a broadly supported petition to the Minister of Asylum and Migration highlighting the egregious fact that ten percent of queer asylum seekers dies by suicide in asylum centra.

From working with the community of LGBTQ+ asylum seekers, it’s impossible to not hear stories about the acts of violence and abuse that are regularly directed towards LGBTQ+ and in particularly to those who are openly queer. These are the facts. Vulnerable groups are regularly subject to violence and threats and it can’t continue. There is a reason why LGBTQ+ asylum seekers flee and the circumstances under which they live in the asylum centra is far from the luxurious fabulation that we see fed to those of the population. Yes, the asylum center might have once been a hotel, but is it a place of luxury when two to four people are stuffed inside a room for months on end? Is it luxury when you cannot choose what you eat? Is it luxury when you know that you are not safe because you never know where the violence or abuse will come from?

Listening in on these sessions, I also realised that for a lot of Dutch people, there is a rather vague understanding of what life is like in asylum centers. A point rightly raised by one of the participants to the second sessions, was the lack of knowledge on how to support and also where to find community–particularly if one is in a town that is predominantly right wing. This second workshop which was facilitated by my dear friend, Marielle, built around the question of belonging. What do we need to feel we belong and what are the things that make us feel a sense of belonging. It’s a universal question and a great point from which to launch into imagining and thinking around how we might create this sense of belonging.

There is a lot of support for providing safe asylum centers for LGTBQ+ and vulnerable asylum seekers. From the third session, we learned that there are asylum centers for vulnerable groups in North Westphalia in Germany and that lawmakers from The Netherlands have visited these centers. I believe that there is a will to improve accommodations and to improve safety for vulnerable groups but the law is a slow moving institution and it is rather frustrating as we bear witness to the urgency of a matter that seems to just drag on without any concrete resolution.

Nevertheless, it was hopeful to hear of initiatives and to hear of what people are doing around this matter.

On the 19th of July, the final session will be held in FramerFramed. Do drop by if you have time. As one of the politicians present so rightly said: this isn’t a right wing or left wing issue, this is a human rights issue. We all have the right to live safely. We all have the right to thrive.

Maraming salamat for reading. Blessings and peace and maraming salamat for the support.

Here’s the link to the Moving Love Sessions at FramerFramed: https://framerframed.nl/en/projecten/workshop-series-moving-love-think-tank-sessions/

(Image from Moving Love project)

The ongoing journey

I’m still basking in the IFFR glow of watching our young filmmakers from Moving Love having that epiphany of: I am a filmmaker.

They finished the course, they made these films, and so they are deserving of that title: filmmaker. I’m looking forward to the premiere when all of the moving portraits will be seen in one space. At present, we continue to send out feelers for other possible locations as we want to bring these films all over The Netherlands and hopefully beyond The Netherlands.

My role as consultant and coach for this project is coming to a close, but I still feel connected to these young people. I very much wish that as they continue on with their journey, they will be able to find people who will help them grow further in their craft.

On Friday’s IFFR film-showing, I met a young filmmaker from Berlin whose film called Unbelong moved me so much. Pars Loren is a non-binary artist and filmmaker and for those interested in finding out more about them, they have an online presence on instagram.

Unbelong is like a visual poem. It has beautifully haunting imagery combining footage from Pars’s life with other archival footage. All throughout the film, we hear Pars’s voice telling us a story, we are invited to be part of the inner world of the self. Unbelong is vulnerable and intensely personal, and it speaks to us on a plane where we connect with that vulnerability and acknowledge the courage it takes to be so. If you ever have the chance to see this film, I want to encourage you to do so.

Unbelong will be shown during an Anatolian filmmakers in Exile event in Berlin on the 14th of February. This event is a Turkish event. but there will be another showing on the 7th of May at the Frauenzentrum (in Berlin) in English and in German for those who prefer English or German.

Do visit Pars’ website for more details.

On another note: I started organ lessons this Monday and am feeling quite rejuvenated and excited. It’s a feeling pretty similar to when I was studying at the conservatory back home in The Philippines. But where I used to dread piano lessons, I’m looking forward to my organ lessons. I can’t fit an organ in my house, but the digitaal piano has an organ set-up which helps in terms of understanding the difference in technique. I’m starting with the first of Bach’s eight preludes and fugues for the organ and with the second movement of Handel’s Organ Concerto HVW 295, which I’m told is called the Cuckoo concerto.

There are still a number of things to write about, but I thought I’d keep it to this for this post.

May blessings and peace be with you always and thank you for dropping by.

What I am doing and where I will be

It’s turning out to be quite a busy week on the blog. Sometimes, it’s like that. In conversation with a group of new writers, we talked about this case of intermittent journalling. There are periods when you have lots to write about and periods when you don’t feel like journalling.

It’s often hard for me to process on the spot, and it can be helpful when the buzz of being busy and engaged is more at a distance. I have to admit that I do forget to blog about events, so I’m trying to do better.

I gave a workshop on writing memoir to a group of new writers in connection with a project from Queer Work. Sajad, who is the founder of this organisation is passionate about giving visibility to the stories and the voices of LGBTQ+ asylum seekers in The Netherlands. Not just that, there’s a deeper concern of wanting to equip and empower this group by providing what tools can be provided through workshops and trainings. In this case, the project is one underwritten by Gemeente Amsterdam Noord wherein the municipality asks for voices coming from underrepresented groups in The Netherlands.

I’ll continue to support and be present at these workshops, helping out and facilitating. I do feel a longing for something structural that will allow us to go deeper. I feel like gathering words isn’t enough. Underrepresented voices need more, but there is so little room for that more where institutions are concerned and whether I like it or not, I have to listen to my collaborators when they remind me that I also need to keep watch over my energy. I’m very thankful for this reminder.

Moving Love, which is one of the projects in which I am quite intensely involved with has completed most of its shooting. I love how this project has done what it’s promised to do, which is give participants the foundation for a possible career in filmmaking. The intensive workshop days are behind us, but the lessons into how films are made and the hands-on experience of making one themselves is something participants will carry with them. I’m sure we will see more from these young and talented people.

For the Moving Love team, it’s been a joy to witness participants in their element. They have always wanted to make films, and now they know what it’s like to make one of their own.

On the 6th of February, the first un-edited versions of Moving Love’s Moving Portraits will be shown during the International Film Festival in Rotterdam. It’s quite exciting as some of the participants will also be interviewed during the programme. I’m looking forward to this event.

For those interested and in the area, click on the link. It will lead you to the exact page and let you know where Moving Love will be. I hope to see you there.

Thanks again for dropping by. Blessings and peace and thanks for reading.